Professor Lawrence Krauss is presently a scientific materialist’s pin-up physicist. With Richard Dawkins’ lavish praise, Krauss has been thrust into the limelight, and he is determined to use his quantum theorizing to do away with the need for a Creator. His book A
Universe from Nothing is a best seller, and his one hour technical youtube presentation has been watched a staggering 1.4 million times.
Across this three part post, I’ve considered the problematic philosophy of science underlying all previous quests for eternal and unified laws apart from a Creator (part 1), and offered arguably the central scientific defeater of Krauss’s crusade, deriving from the more certain laws of thermodynamics (part 2). What, then, is left to be said of such semantic equivocations?
Well, principally this: the mystery remains. Give it all the quantum spin you want, Krauss falls short of his claim to explain how our Universe popped into existence. As Professor Neil Ormerod notes, “Scientifically he may well be correct, but it clearly does not address the question of whether something can come from nothing, but tells us how some things can come from something else (empty space, which is not really empty at all).”[1]
Even if I grant that it is theoretically possible for quantum fields to change configuration and generate particles from no particles, this does not demonstrate that it is probable, let alone that it really happened. (Just as hundreds of intelligent scientists with billion dollar labs who may one day generate life from non-living organic chemicals does not demonstrate that this actually happened by chance in Earth’s distant history.)
Professor of Philosophy at Columbia University, David Albert, concurs with Ormerod and offers his own stinging book review in the New York Times:
Relativistic-quantum-field-theoretical vacuum states—no less than giraffes or refrigerators or solar systems—are particular arrangements of elementary physical stuff. … The fact that some arrangements of fields happen to correspond to the existence of particles and some don’t is not a whit more mysterious than
the fact that some of the possible arrangements of my fingers happen to correspond to the existence of a fist and some don’t. And the fact that particles can pop in and out of existence, over time, as those fields rearrange themselves, is not a whit more mysterious than the fact that fists can pop in and out of existence, over time, as my fingers rearrange themselves. And none of these poppings—if you look at them aright—amount to anything even remotely in the neighborhood of a creation from nothing.[2]
I thought that Darwin made it possible to be an “intellectually fulfilled atheist.”[3] Apparently not. We still have those pesky problems of generating life from non-life, complex and real arrangements of matter from simple and virtual particles, and once again—despite Krauss’s name functioning as a materialistic mantra—how we can defy the laws of thermodynamics to get something from literally nothing.
I champion the efforts of scientists to study the material world and find solutions to problems. This legacy derives in large part from the Biblical belief in a law giver and the mandate to cultivate the world.[4] Yet supposing ‘science’ will find the answer in this case is yet another instance of naturalistic faith, and it’s more than this sceptic can bear.
I may not get all the science, and Krauss certainly is a genius, but I recognise a shell game when I see one. Theologians and philosophers have consistently defined ‘nothing’ as no-thing: nil, nada, not anything, it’s what stones dream of at night. And semantically this is clearly not what the brilliant Professor is considering. To pretend otherwise is misleading.
And it’s a good thing, too, that Krauss is wrong. Fine, dismiss the divine foot in the door to protect science’s certainty through an ongoing chain of material cause and effect. A materialist’s game as it may be, at least be consistent. If Universes can literally pop into and out of existence, how can one control for any variable? What certainty can one have of any conclusion? In what sense is this better for science than positing a stable God who providentially upholds the “regularities of nature”? I wonder, alongside C. S. Lewis, “Has it come to that? Does the whole vast structure of modern naturalism depend not on positive evidence but simply on an a priori metaphysical prejudice? Was it devised not to get in facts but to keep out God?”[5]
Creation is contingent, and as far as I can tell, a Universe from nothing is a total load of Krauss. But, if you’re willing to believe this, then visit the enterprising folks over at www.nothing.net and read the testimonials, and I’m sure they’d be happy for your business. As for me, my money is still on God.
Dave Benson
[1] http://www.abc.net.au/religion/articles/2012/04/11/3474830.htm. Ormerod holds dual doctorates in pure mathematics and theology.
[3] Richard Dawkins, The Blind Watchmaker (New York: W.W. Norton & Company, 1986), 6.
[4] This has been the consensus ever since M. B. Foster wrote “The Christian Doctrine of Creation and the Rise of Modern Natural Science,” Mind 43 (1934): 447. That Christianity provided the soil in which science could truly and sustainably flourish has since been advanced by sociologists like Max Weber, and Rodney Stark, For the Glory of God: How Monotheism Led to Reformations, Science, Witch-Hunts, and the End of Slavery (Princeton, NJ: Princeton University Press, 2003), and by numerous scientists and historians, which you can trace here and here.
[5] C.S. Lewis, “Is Theology Poetry”, pp. 116-140, in The Weight of Glory (New York: HarperCollins, 1949 [1980]), 136.















d Thou … how do we engage the world? Perhaps you’re familiar with this classic distinction made by Martin Buber way back in 1923. On that magnificent hike, seeing everything as through a lens, I managed to reduce creation, the Creator, and even my wife to an It. It is merely an object detached from myself, waiting to be managed, captured and controlled for my own purposes—a flat image to induce excitement over past experiences or adulation from impressed onlookers. Like a scientist staring only through a microscope, I was killing the specimen to keep it still. When the world reduced to an It, wonder gave way to frustration.
In my previous post, I suggested that in order to make sense of our little and everyday stories, we need a view from above. Like a cosmic director, God has revealed the broad contours of an ongoing script, and invites us to make sense of our lives from His perspective.
dom of peace and love. He called us to switch scripts, and align with God’s form to be forgiven and free. As the perfect character, Jesus stood in for our failures. He took the blame, and absorbed evil in love, crucified to cover our sin. He took the worst the world could throw at him, but after it all, rose from the dead—a real historical event worth checking out. This demonstrated that death was defeated, and the story would go on. …
ailure to God, turning from our way to trust the Director’s solution in Jesus, then a new act begins. God starts the process of healing us from the inside out—revealing the part only I can play—so we can go together in the power of His Spirit to help heal a hurting world. We partner with God to restore relationships and a broken planet. No waiting until the story’s happy ending, we have a mission right now to give the world a preview of the play’s final scene. Until we exit the stage, our role is to follow Jesus by absorbing evil in love, and reconnecting everyone with a good God who designed us to be free.
ng when Jesus will return, judge the world, and set everything right. We’ve all fallen short, so we need God’s mercy. As the curtain closes, every actor is brought back to give account for their actions. If you’ve accepted God’s forgiveness, your real story is just starting: a restored earth with no hate, pollution, poverty, or war. God—Father, Son, and Holy Spirit—will be the centre of it all, and we’ll be free in this love. But what should God do with those of us who reject Him? Everything good, true, and beautiful comes from God, so apart from Him, all that’s left is Hell. Hell is when we exclude ourselves from the Director’s plans for a do-over.
But not necessarily. Like a sonata, we may add note upon note of immanent experiences, and never understand the transcendent song. Our apprehensions from below may be beautiful, but we require revelation from above to take ethereal sounds from the unknown God and return them heavenward in a reverent cantata of praise. To switch metaphors and put it simply, our little stories only make sense in light of the Big Story. So as this new year is taking form, and that we may not miss the forest for the trees, I thought it timely to tell the old, old story once again. But let’s begin with you: what kind of story are you in?
e and step into the following epic: a story with five scenes.
Scene #1: Designed for Good. The epic starts with God. Drop the images of a distant deity wilding lightning bolts. This story’s Director is passionate and relational, an artist who paints an Oasis and plants us there. And in the beginning, God created the Heavens and the Earth. Why? Well, He made us to love God, love each other, and cultivate the world as good gardeners should. (Imagine connection with your Creator, society in harmony without selfishness, and work which you enjoy that helps the world thrive.) This is the form in which we find freedom. But just as love is only real when it isn’t forced, the Director gives us all a choice. And clearly we’re not in Eden anymore.
Scene #2: Damaged by Evil. “Who’s God to tell me what to do?” So we, the actors, rebelled against the Director and tried writing our own script in a form we preferred. We’ve eaten the forbidden fruit, and tried to play God. Meaning? We’ve ignored and despised God, abused each other, and vandalized the planet. That’s sin—missing the mark for which we were made. We’ve turned inward, and act like the universe revolves around us. And we’ve built our lives around good stuff that can never satisfy like God: relationships, sex, status, sport … our symptoms differ, but the syndrome’s the same. The result? The world’s damaged, our relationships are divided, and our identity (our heart) is a mess. We’re broken, and we break. Worse, we’re to blame. God is loving and just, so what’s a passionate Director to do?
Regardless of culture, I’m sure you’ve played it. The concept is simple. One person (usually the most mature) is deemed ‘it’, and the others run and hide. Then you find them. Got the idea?! But don’t be fooled, there are more mysterious elements at play. For instance, I’m expected to count out loud. They want to know I’m coming. Granted, they always look for a dark, obscure place to hide—behind the door, or under the blankets. But if I take too long, they’ll always supply hints: a knock on the wall, a little voice ironically crying out “We’re not in here!” Abbey in particular has a mischievous sense of humour. Her favourite version is when I describe my plans in advance, saying which room I’ll explore next: “I know, Abbey’s hiding … in … HERE!” At which point I’ll lunge into the laundry, all the while knowing she’s two doors down in the guestroom. By the time I go to where I always knew she was, she’s bursting at the seams with a big smile, waiting to be grabbed almost unawares. Much tickling and laughter ensues. Even as I’m ‘it’, there’s reciprocity: it’s less about hiding than being found. My nieces need to know they’re wanted, desirable, and worth seeking. The anticipation only adds to the excitement.
There’s something deeply human, and deeply Biblical, in all this. Jesus “the saviour of seek” loved to tell stories of lost-and-found. And the technique differs depending on the hider. Take Luke 15 with three parables of seeking. The sheep is hiding by accident; it went astray. So the shepherd leaves the ninety-nine in safety and risks his neck to recover the one. His familiar voice echoed across the hills, “Ready or not, here I come.” And as dumb as the sheep was, I’m sure it didn’t mind being slung over his shoulders and carried back to safety. Same goes with the silver coin. Nine coins in safe-keeping, but one is missing. It’s hiding, in the dark. So the owner lights a lamp, scours the whole house, and in the very last place you’d expect, there it is. She picks up the coin, and calls a party! Laughter ensues.
More deceptively resourceful than Don Roberts from Hinckley, we are each prone to hide. The Bible tells this story of a God who seeks. And when we grow too old to play and don’t want to be found, he shifts technique to a “rhapsody of indirection”—left-handed power condescending in love. At Christmas we remembered how light came into the world, even as we hid in darkness for fear of exposure. But if we desire to “live by the truth” then we’ll reciprocate: we’ll come into the light (John 3:19-21). Only, of course, if we want to be found.
“That’s a strange question!” your average university student might reply. “When you die, you die. The plug’s pulled out, and the lights go out, that’s it: the eternal void. If there was something more, we would have discovered it by now. There would be proof, right?”
Even for Amortals, death is hard to ignore. Every second roughly two people around the world die—that’s 150,000 per day, 55 million per year. And contrary to popular opinion, they don’t disappear, pass away, fall asleep, or retire. They die. It’s not someone else’s problem. I will die. You will die. We could party hard and desperately grasp onto what life is left, but our last words may be tragic like whiskey merchant Jack Daniels. As he died from a blood infection, all he could say was “One last drink, please.”
But let’s get real. Apple will continue on with or without his vision. Jobs won’t be there to appreciate it, and within a couple of generations his name will be a footnote in a design textbook. I have to agree with Woody Allen, who quipped, “I don’t want to achieve immortality through my work. I want to achieve immortality through not dying. I don’t want to live on in the hearts of my countrymen. I would rather live on in my apartment.”
Philosophers and luminaries across history have spoken about hope in the face of death. But only one pointed to himself as the source of this hope. Jesus of Nazareth claimed “I am the resurrection and the life. Whoever believes in me will live, even though they die” (John 11:25). His last words came with confidence from a crucifix: “It is finished.”